miércoles, 23 de enero de 2013

WHY NOT KILL MYSELF?


The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't.
Anything I thought or did was immediately drawn into the debate. Made a stupid remark--why not kill myself? Missed the bus--better put an end to it all. Even the good got in there. I liked that movie--maybe I shouldn't kill myself.
Actually, it was only part of myself I wanted to kill: the part that wanted to kill herself, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy.
I didn't figure this out, though, until after I'd swallowed the fifty aspirin. They were metaphorical. I wanted to get rid of a certain aspect of my character. I was performing a kind of self-abortion with those aspirin. It worked for a while. Then it stopped,-but I had no heart to try again.


Dame cien kilos de aspirinas, dame una tarde libre de tu memoria, regálame un minuto de paz de tu Mirada. Porque te vas, con un pasado y un futuro; mientras yo me quedo acá, con el equipaje en mano, esperando por tu partida. Te vas, liberándote de mí y de todo lo demás. Ya estamos demasiado rotos –broken- por dentro como para curarnos. Tus heridas no cicatrizan, no sanan, no mejoran, no avanzan. Todo tu ser está en ella, y nada en mí. Y solo puedo resignarme a verte, a escucharte mientras me ilusionas. Palabras que quedan grabadas en mi memoria, pero que no son para mí.
Dame una tarde libre de tu memoria; concédeme una noche donde no importe tu pasado. Donde solo exista un presente y un ahora; y un nosotros, por sobre todas las cosas.

Y me pongo los auriculares, en busca de un alivio a esta tarde; pero el mundo y mi destino parecen complotarse para volver a encontrarte en canciones:
I thought that you were safe, but all your cracks show that I could get undressed, you still look depressed. It’s all too much, you’re so cold to touch, and you don’t open up. Your kisses are not what I wanted; your kisses are not what I crave. Your kisses may be a beautiful art, but all I ever wanted was your heart, right from the start.
Then I see that I’m not the only one in your life; and I start to wonder what this girl, she might be like. I look into your eyes when you’ve been crying, to see if the tears that she made are slowly drying. But even if they dry, it doesn’t mean that you’re feeling ok, because you’re still sad inside. All you really need is her to comfort you; but she doesn’t understand, she doesn’t hold your hand.
Her kisses were just what you wanted; her kisses were just what you crave. And her kisses may be a beautiful art, but she doesn’t really care about your heart…

martes, 22 de enero de 2013

Pablo dice: (01:10:35)
sabes lo q me mato

Pablo dice: (01:10:38)
?

Pablo dice: (01:10:54)
como q me senti no se...

Pablo dice: (01:10:58)
no se como explicarlo

Pablo dice: (01:11:16)
no se

Fiorella dice: (01:11:17)
..

Fiorella dice: (01:11:17)
dale

Pablo dice: (01:11:36)
varias cosas

Pablo dice: (01:11:37)
no se

Pablo dice: (01:11:43)
superado?

Fiorella dice: (01:11:52)
superado?

Pablo dice: (01:11:54)
no podia solucionarlo?

Fiorella dice: (01:12:01)
ah, superado por la situacion

Pablo dice: (01:12:08)
si

Pablo dice: (01:12:17)
y dsp como q no entendia

Pablo dice: (01:12:19)
xq el cambio

Pablo dice: (01:12:29)
y como q todo lo bien q me habias hecho sentir

Pablo dice: (01:12:31)
cuando te vi

Pablo dice: (01:12:42)
mmm me di cuenta q noeras vos

Pablo dice: (01:12:47)
y (N)

Pablo dice: (01:13:11)
no era por verme a mi q estabas contenta cuando te vi

Pablo dice: (01:13:20)
era porque no entendias nada

Pablo dice: (01:13:59)
como q suena feo

Pablo dice: (01:13:59)
pero

Pablo dice: (01:14:02)
boludeado

Pablo dice: (01:14:03)
?

Pablo dice: (01:14:29)
vos te acordas cuanto espere en la puerta?

Pablo dice: (01:14:34)
de tu amigo?

Fiorella dice: (01:14:40)
si

Pablo dice: (01:14:52)
no entendia nada

(Si existe un Dios, por favor te pido
protegelo de mí.
Haz que se vaya lejos, muy lejos de aquí
para que no pueda verme ni en sueños.
Por favor, protegelo de mí,
para que no pueda sentirme.
Para ahogarme en mi incoherencia
y que me maten los suspiros)
I WOULDN'T RECOMMEND SEX, DRUGS OR INSANITY FOR EVERYONE. BUT THEY'VE ALWAYS WORKED FOR ME.
- Hunter S. Thompson
Making sure to laugh; while we experience anti-gravity.

(... Ilusions, just that...)
Nadie lo habría podido explicar mejor. Mensajes que duelen.

sábado, 19 de enero de 2013

You wasted your time
On my heart
You've burned
And if bridges gotta fall
Then you'll fall too
-la historia de mi vida-
Por favor, dejame ser 
la clase de persona que quiere,
la clase de vida que quiere,
la clase de chica que quiere,
la clase de normalidad que quiere,
la clase de personalidad que quiere,
la clase de físico que quiere.
Por favor, dejame decir las palabras que quiera,
hacer los gestos que quiera, sonreír las veces que quiera,
callar cuantas veces quiera, besar solo cuando quiera.
Por favor, dejame ser justo lo que quiere.
- te regalo mi locura, y las pocas neuronas que quedan ya-

jueves, 17 de enero de 2013

Valerie: What would you have said to her? 

Susanna: I don't know. That I was sorry. That I will never know what it was like to be her. But I know what it's like to want to die. How it hurts to smile. How you try to fit in but you can't. You hurt yourself on the outside to try to kill the thing on the inside. 


Valerie: Susanna, it's all well and good to tell me all this; but you gotta tell some of this to your doctors. 


Susanna: How the hell am I supposed to recover when I don't even understand my disease? 


Valerie: But you do understand it. You spoke very clearly about it a second ago. But I think what you've gotta do is put it down. Put it away. Put it in your notebook, but get it out of yourself. Away so you can't curl up with it anymore. 


Susanna: Lisa thinks it's a gift. That it lets you see the truth. 


Valerie: Lisa's been here for 8 years. 


Susanna: [crying] I'm so sorry. I was a bitch. I was a bitch. 


Valerie: Don't drop anchor here, you understand? 


Susanna: [narrating] When you don't want to feel, death can seem like a dream. But seeing death, really seeing it, makes dreaming about it fucking ridiculous. Maybe, there's a moment growing up when something peels back... Maybe, maybe, we look for secrets because we can't believe our minds...
[overlapping words]
Susanna: All I know is that I began to feel things again. Whatever I was, I knew there was only one way back to the world and that was to use the place to talk. So I saw the great and wonderful Dr. Wick three times a week and I let her hear every thought in my head.


- PARA RECORDAR: subir últimos tres capítulos de Girl Interrupted -

BREAK ON THROUGH TO THE OTHER SIDE

I found an island in your arms
Country in your eyes
Arms that chain
Eyes that lie
Break on through to the other side
Break on through to the other side
Break on through, oww!

Everybody loves my baby
Everybody loves my baby

She get(s high)
She get(s high)
She get(s high)
She get(s high)
- cómo me la subis The Doors -

No se puede luchar contra nuestro pasado; siempre esta ahí, clavado, postrado, esperando por más. Ya ni hace falta que me digan, lugares donde fueron, personas que conocieron, promesas que alguna vez pretendieron cumplir, corazones que jugaron a romper. Ya no me interesa nada de eso, porque no puedo ser ni un pasado ni un presente. No entro en la clase de vida que se quiere tener - que quiere tener -

Yeah! Come on, come on, come on, come on
Now touch me, baby
Can't you see that I am not afraid?
What was that promise that you made?
Why won't you tell me what she said?
What was that promise that you made? 

HERE, AIR

How can I be who I could've been?
I'd like to start over again.
Angels, did I fail you with my fall?
What are we but the cause of it all?

It's been a long time

Of getting out of myself.
Now that I'm here I find
That what keeps alive.

Is all you are

It's all you have
Hey ya
Hey ya

How can I get just one more chance?

I see you in pain and I wish I had
The ability to be your man.
They once told me that time would come to pass.

Now I know to be careful

What I don't believe.
Cause that fate came so close
But right out of my reach.
What's good for you
Is good for me too.
Do you hear, I'm here for you now
I'm here for you now

miércoles, 16 de enero de 2013

[first lines]
Mark "Rent-boy" Renton: [narrating] Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life... But why would I want to do a thing like that? I chose not to choose life. I chose somethin' else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?

- Agarrá la frase más quemada de la historia y hacela tuya - 

lunes, 31 de diciembre de 2012

THINKING ABOUT YOU - RADIOHEAD


All the things you got, you'll never need
All the things you've got, I bleed and I bleed to please you

Been thinking about you...

TO DO LIST

1. Hacer el bolso
2. Bajar la discografía de Pearl Jam (no olvidar Better Man)
3. Ponerme de buen humor
4. Dejar de pensarte
5. Comprar un vestido para esta noche
6. Dejar de abrir frenéticamente el msn - dejar de pensarte
7. Mejorar mi aspecto
8. Dejar de pensarte
9. Recordar por qué página iba de 50 Sombras más Oscuras (página 95)
10. No olvidar Melodies&Desires - Lykke Li

- Porque si no querías verme, no hace falta que me pongas excusas tontas. No quería verte, no quería verte, no quería verte. Todavía no quiero. Por eso voy a dejar que te vayas más de una quincena; para no verte, no oírte, no tener ni que recordar tu nombre. Por eso dejo que te vayas, sin siquiera despedirme..

domingo, 30 de diciembre de 2012

YOU 
FUCKED
ME 
UP
AND 
YOU
KNOW
IT.
YOU
LOOK
AT 
ME 
!

http://www.youtube.com/watch?v=0LETadzDGOs&list=FLyN4mY4rXcCni5NkfwkDbfQ&playnext=1&feature=autoplay

- i'm naked, i'm numb, i'm stupid. Real love, I give it -